For Headlong: Romeo and Juliet and Medea.
Other theatre credits include: The Norman Conquests (Liverpool Playhouse); Moon on a Rainbow Shawl (National Theatre); Blue Heart Afternoon, Lay Down Your Cross (Hampstead Theatre); What the Butler Saw, Betrayal, Speaking in Tongues, Fat Pig (West End); Some Like It Hip Hop (ZooNation); Charged (Soho); Miss Julie, Beautiful Thing, Private Lives, The Glass Menagerie, A Raisin in the Sun (Manchester Royal Exchange); Man In The Middle (Theatre503); The Deep Blue Sea/Nijinsky (Chichester Festival Theatre); Fatherland (Gate); The Pride, That Face (Sheffield); Pride and Prejudice (tour); The Tragedy of Thomas Hobbes (RSC); Les Liaisons Dangereuses (Salisbury); Llwyth (tour); Haunted (Royal Exchange/New York); For King and Country (tour); Mad Forest (BAC); Pirates (Polka); City of Angels, Damn Yankees (Guildhall); Romeo and Juliet, The Importance of Being Earnest (Edinburgh Lyceum).
Numerous productions for Out of Joint include: Our Country’s Good, Bang Bang Bang, Dreams of Violence, Our Lady of Sligo, The Permanent Way and King of Hearts.
Johanna has also worked extensively with the Royal Court where credits include: My Name Is Rachel Corrie, Rhinoceros, The Arsonists and My Child.
Opera credits include: Carmen, Kátya Kabanová, Cinderella, Phaedra and Ariadne auf Naxos, and The Secret Marriage (Scottish Opera); The Marriage of Figaro (Classical Opera Company); Tobias and the Angel (Almeida Opera Festival); Die Fledermaus and La Bohème (Music Theatre London and Amsterdam); The Merry Widow and The Abduction from the Seraglio (Opera 80).