For Headlong: The Effect.
Jon Clark’s theatre work includes Damned by Despair, Collaborators, A Woman Killed With Kindness, Greenland, Beauty and the Beast, Hamlet, The Cat in the Hat, Pains of Youth, Our Class and Women of Troy (National); The Tempest, The Comedy of Errors, Twelfth Night, The Homecoming, Silence, King Lear, The Winter’s Tale and The Merchant of Venice (RSC); Ten Billion, Red Bud, Aunt Dan and Lemon, The Pride and Gone Too Far! (Royal Court); King Lear and The House of Bernarda Alba (Almeida); Moonlight and Polar Bears (Donmar Warehouse); Street Scene, Been So Long, The Jewish Wife and How Much Is Your Iron? (Young Vic); Into The Woods (Regent’s Park); The Little Dog Laughed (Garrick); Three Days of Rain (Apollo) (Knight of Illumination Award and 2010 Olivier nomination); The Lover, The Collection, and Dickens Unplugged (Comedy); The Birthday Party, Spyski! and Water (Lyric Hammersmith); Four Quartets (Lincoln Center New York); The Painkiller (Lyric, Belfast); Eric’s (Liverpool Everyman); and Underworld (Frantic Assembly).
Opera includes: Written on Skin (Festival d’Aix-en-Provence and Royal Opera House); Caligula and The Return of Ulysses (ENO); Orest (Netherlands Opera); Clemency (Royal Opera House); Street Scene, Seven Angels, The Lion’s Face, Into The Little Hill, Recital and Down by the Greenwood Side (The Opera Group); The Love for Three Oranges (Scottish Opera and RSAMD); I Capuleti e l Montecchi, L’Elisir d’Amore, The Barber of Seville and Cosi Fan Tutte (Grange Park); and Tarantula in Petrol Blue (Aldeburgh Music).
Dance includes: Pleasure’s Progress (for Will Tuckett, ROH2); Clara, Libera Me, Between The Clock and The Bed and Howl (Bern Ballet); Lay Me Down Safe, Tenderhook and Sorry for the Missiles (Scottish Dance); Anton & Erin – Cheek to Cheek (London Coliseum); and Mountains Are Mountains (Tanzquartier, Vienna).