Anna trained at the Central School of Speech and Drama
Theatre includes: The Crucible (West Yorkshire Playhouse); King Charles III, (Wyndhams & Almeida Theatre); Boeing Boeing, (Crucible Theatre); Circles (Birmingham Rep & Tricycle Theatre); World of Extreme Happiness (National Theatre); A Christmas Carol (Birmingham Rep); Pericles, Antony and Cleopatra, Marat / Sade, The Grain Store, The Drunks, The Tragedy of Thomas Hobbes, I’ll Be The Devil, Cordelia Dream (RSC); The London 2012 Olympic Opening Ceremony (Movement Assistant); Dunsinane and Caledonia (National Theatre of Scotland); Bus Stop (New Vic Theatre); My Dad’s A Birdman (Young Vic); The Village Bike (Sheffield Theatre); The Comedy of Errors (Royal Exchange Theatre); My Generation (West Yorkshire Playhouse); Hansel and Gretel (Opera North); 101 Dalmations (Northampton Theatre Royal); Larissa and the Merchants, On The Record (Arcola Theatre); Molly Sweeney (The Print Room); Restoration (Headlong).
Opera includes: The Magic Flute (NI Opera & Nevill Holt), Salome, Macbeth, The Flying Dutchman, Noye’s Fludde, Hansel & Gretel (NI Opera); L’Elisir D’amore, The Barber of Seville, Manon Lascout (Opera Holland Park); Orpheus in the Underworld (Scottish Opera).
Anna is Artist in Residence for the Historic Royal Palaces, creating original dance-theatre pieces that respond to the history and architecture of Hampton Court, Kew Palace, Kensington Palace, Banqueting House and the Tower of London.
Anna’s direction credits include: Beating Heart Cadaver (Finborough Theatre); Masque Arias (RSC New Work/Stratford River Festival); Ghost Plays (RSC, Young People’s Project); Memories Cabaret (Chapito, Lisbon).
Anna is a visiting lecturer for Central School of Speech and Drama, associate education practitioner for the Royal Shakespeare Company and Shakespeare’s Globe, She has also delivered performance and movement workshops for Warwick University and the University of London.