Chloe Lamford trained in Theatre Design at Wimbledon School of Art. She received the Arts Foundation Fellowship for Design for Performance 2013.
Winner of the 2007 Theatre Design Award from the TMA for Small Miracle (Mercury Theatre, Colchester).
For Headlong: 1984, Boys.
Theatre includes: Cannibals (Royal Exchange in Manchester); Praxis Makes Perfect (National Theatre Wales); The Events (ATC/Young Vic); The History Boys (Crucible);Circle Mirror Transformation (Royal Court); Salt, Root and Roe (Donmar, Trafalger 2); Disco Pigs, Sus, Blackta (costume design) (Young Vic); My Shrinking Life, Appointment with the Wicker Man, Knives in Hens (National Theatre Scotland); The Radicalisation of Bradley Manning (National Theatre Wales, Edinburgh Festival); The Gate Keeper (Manchester Royal Exchange); Ghost Story (Sky Arts Live Drama); Britannicus (Wilton’s Music Hall); My Romantic History (Crucible, Sheffield/Bush); Joseph K, The Kreutzer Sonata (Gate); Songs from a Hotel Bedroom (Linbury Studio, Royal Opera House and Tour); It Felt Empty…(Clean Break); Everything Must Go! , This Wide Night (Soho); The Mother Ship, How to Tell the Monsters from the Misfits (Birmingham Rep); The Country (Salisbury Playhouse); Desire Lines (Sherman, Cardiff); Small Miracle (Tricycle/ Mercury, Colchester).
Her designs for opera include: The Little Sweep, Let's Make An Opera (Malmo Opera House, Sweden); The Magic Flute (English Touring Opera); War and Peace (Scottish Opera/ RCS); Cunning Little Vixen, Orpheus in the Underworld (Royal College of Music) and La Calisto (Early Opera Company).