Frank Wedekind wasn’t really a playwright. Of course that makes no sense, since he wrote a whole bunch of plays, but it does have a meaning and it is possibly helpful to remember when staging Spring Awakening.
An oil well. Photo: John Hill.
What have tea, oil and buttonwood trees got to do with capitalism?
A 16th Century Galleon. Artist: Pearson Scott Foresman
What have tulips, puritans and galleons got to do with capitalism?
Dr Paolo Gerbaudo discusses the use of social media by political activists, including those involved in the Arab Spring and Occupy Wall Street. He also examines the ways in which social media can be used by the state as a tool of repression.
Christopher Patrick Nolan, Richard Bremmer, Hara Yannas, Tim Dutton and Mark Arends in 1984. Photo: Tristram Kenton.
Ideology shapes the way that we think and behave as members of society. An ideology is a set of conscious and unconscious ideas and beliefs that a group of people hold about the way that the world works. These ideas shape their sense of what is right and wrong. They shape their sense of what is normal and abnormal behaviour. They define their ambitions and their goals. At a deeper level, they shape their sense of reality.
Gavin Spokes, Christopher Patrick Nolan, Hara Yannas, Mark Arends, Tim Dutton, Stephen Fewell, Mandi Symonds and Matthew Spencer in 1984. Photo: Tristram Kenton.
Language is more than simply words. It shapes the way we think. In the appendix to 1984, Orwell tells us that Newspeak is a language deliberately designed to limit the range of people’s thoughts and to make certain ideas unthinkable. It can be argued, however, that all languages, like Newspeak, limit the range of ideas that it is possible for people to understand.
Dr Btihaj Ajana discusses the importance of privacy in contemporary society and how digital technologies are changing our understanding of what privacy is.
Prof Alex Callinicos reveals how Orwell's politics and the world in which he lived shaped his vision of 1984.
Dr Btihaj Ajana discusses surveillance in contemporary society and its relationship to the image of the surveillance state imagined by George Orwell in 1984.
George Orwell's Burmese Passport Photograph