Faustus: That Damned Woman

22nd Jan 2020 - 4th Apr 2020

Book Tickets

  • 1984 Now

    Headlong in association with the Cultural Institute at King's | Nov. 22, 2014

    Saturday 22 November 2014
    1pm – 5pm
    Anatomy Lecture Theatre, King's College London

    Tickets: Free

    People often refer to the idea that we are living in 1984, but to what extent is that a valid observation about contemporary society?

    In 2013, Headlong collaborated with the Cultural Institute’s at King's on a project to explore the relationship between digital technology and live performance. This partnership resulted in the development of an app, 1984 Digital Double, which explores the nature of contemporary surveillance.

    Headlong and the Cultural Institute at King's invite you to join a group of digital experts and innovative artists for a day of platform panels exploring a wide range of questions about digital technology, live performance and surveillance.

    Speakers include: Dr Btihaj Ajana (King’s), Dr Claudia Aradau (King’s), Tony Bunyan (Statewatch), Professor Alex Callinicos (King’s), Robert Delamere (Digital Theatre), Jeremy Herrin (Headlong), Robert Icke (Co-adaptor and co-director of 1984), Professor Tim Jordan (Sussex University), Dawn King (Playwright), Duncan Macmillan (Co-adaptor and co-director of 1984), Dr Dan Mcquillan (Goldsmiths College), Tassos Stevens (Coney), Simon Vans-Colier, Oliver Cole and Spiros Andreou (TOR Project).

  • The Nether Realm

    Michael Takeo Magruder, with Drew Baker and Erik Fleming | July 23, 2014

    The Nether Realm is a living virtual world inspired by Jennifer Haley’s new play, The Nether. The artwork explores the ways in which virtual environments can be the product of our activities in real life and considers the idea that the moral character of these online public spaces is ultimately dependent on how we create and interact with them.

    The realm is linked in real time to the Twitter hashtag #TheNether. Every time the hashtag is used on Twitter, new life is breathed into the world. When the hashtag is not in use the world slowly starts to decay.

    It’s up to you how beautiful or how dark the world becomes.

  • Prism

    Michael Takeo Magruder | March 17, 2014

    On 6 June 2013, journalists from the Guardian and Washington Post reported that the US National Security Agency (NSA) was undertaking a portfolio of clandestine mass surveillance programs on a scale reminiscent of George Orwell’s dystopian society of 1984. Their initiatives supposedly ranged from bulk collection of email and telephone records to infiltrating the data infrastructures of every leading internet company and service provider. These activities were not targeted at specific individuals or groups, but rather focused on compiling personal data from millions of unsuspecting citizens indiscriminately and without jurisdiction or oversight.

    PRISM is a digital installation by artist Michael Takeo Magruder reflecting on these revelations and the person who brought this information to the public's attention, Edward Snowden. The project has been produced in collaboration with Headlong and the Cultural Institute at King's College London.

    Monday 15 – Saturday 29 March 2014
    Entrance Hall, King's College London, Strand Campus
    Free Entrance

    Monday 17 – Saturday 29 March 2014
    Entrance Hall, King's College London, Strand Campus
    Free Entrance

  • Symposium on Radical Adaptation

    In association with the Almeida Theatre and TAPRA | Feb. 15, 2014

    Saturday 15 February 2014
    Almeida Theatre

    Robert Icke and Duncan Macmillan’s radical new adaptation of 1984 explores how Orwell’s novel is as applicable to the here and now as it ever was.

    Join the creators of 1984 and a panel of theatre experts to explore how the process of creating a truly successful adaptation is often a very different thing from delivering the version people expect.

  • Dr Paolo Gerbaudo on Social Media and Political Activism

    Headlong and King's Cultural Institute | Nov. 12, 2013

    Dr Paolo Gerbaudo discusses the use of social media by political activists, including those involved in the Arab Spring and Occupy Wall Street. He also examines the ways in which social media can be used by the state as a tool of repression.

  • Ideology

    Sarah Grochala | Nov. 7, 2013

     Christopher Patrick Nolan, Richard Bremmer, Hara Yannas, Tim Dutton and Mark Arends in 1984. Photo: Tristram Kenton.


    Ideology shapes the way that we think and behave as members of society. An ideology is a set of conscious and unconscious ideas and beliefs that a group of people hold about the way that the world works. These ideas shape their sense of what is right and wrong. They shape their sense of what is normal and abnormal behaviour. They define their ambitions and their goals. At a deeper level, they shape their sense of reality.

  • Language

    Sarah Grochala | Oct. 14, 2013

    Gavin Spokes, Christopher Patrick Nolan, Hara Yannas, Mark Arends, Tim Dutton,  Stephen Fewell,  Mandi Symonds and Matthew Spencer in 1984. Photo: Tristram Kenton.


    Language is more than simply words. It shapes the way we think. In the appendix to 1984, Orwell tells us that Newspeak is a language deliberately designed to limit the range of people’s thoughts and to make certain ideas unthinkable. It can be argued, however, that all languages, like Newspeak, limit the range of ideas that it is possible for people to understand.

  • Dr Btihaj Ajana on Privacy

    Headlong and King's Cultural Institute | Oct. 10, 2013

    Dr Btihaj Ajana discusses the importance of privacy in contemporary society and how digital technologies are changing our understanding of what privacy is.

  • Prof Alex Callinicos on 1984

    Headlong and King's Cultural Institute | Oct. 3, 2013

    Prof Alex Callinicos reveals how Orwell's politics and the world in which he lived shaped his vision of 1984.

  • Dr Btihaj Ajana on Surveillance

    Headlong and King's Cultural Institute | Sept. 27, 2013

    Dr Btihaj Ajana discusses surveillance in contemporary society and its relationship to the image of the surveillance state imagined by George Orwell in 1984.